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The Village

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Year:   2004 Rated: InsertPG-13 Runtime: 120 mins
Starring:  Joaquin Phoenix, Bryce Dallas Howard, William Hurt, Sigourney Weaver, Adrien Brody, Judy Greer, Michael Pitt, Cherry Jones, Jayne Atkinson, Celia Weston, Brendan Gleeson
Directed by: M. Night Shyamalan
Written by: M. Night Shyamalan
Music by:  James Newton Howard
Movie Studio: Touchstone Pictures
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HugeReviews.com Rating: What'll it be? Review by: Step up and review this puppy!

Twisting that twist
by Joe De Matteo August 2005

Super

M. Night Shyamalan, whom I kept forgetting to look for in this film, gave us a ghost story that tricked us.  Then he gave us a supernatural superhero that was a regular guy.  And we bought both stories, hook, line and sinker.  With The Village, he gave us a twist, and then kept twisting, which had some folks at HugeReviews.com fall off the M. Night Shyamalan band wagon.

Michael Flanagan calls it Wimpy (see his review below), Christian De Matteo didn't want to write about it.  I have to be honest, because of their feelings about the film I stayed away from it.

It was on Cable the other night, there was nothing else I was interested in, I didn't think I'd like it much, but I was in a "kill some time" mood, so I started watching in. 

I liked it; I liked it a lot.  After the first fifteen or twenty minutes I thought I was in dumb horror movie.  However, before I knew it, the movie was nearing its end, and I was hooked.

You should know that I'm not a horror movie fan.  I don't mind seeing people dieing on screen, but I want them shot, crushed or blown to bits in and action/adventure film or sliced in half, or other fraction, in a samurai flick.

 I don't like the walking dead jumping on screen one moment after I relax in my seat, simply because my muscular system cannot take anymore of the tension brought on by the suspense.  I hate that, mostly because it makes me jump two feet out of my seat screaming like a girl.  I'm sorry, I've got pride.  I'm old, I may be drooling and passing gas with a smile on my face before long, but right now I'm still in control and I have enough ego left to feel embarrassed when people see me screaming like an eleven-year old female.

The Village is another well made Shyamalan movie.  Once again, Mr. Shyamalan told me a story I couldn't guess, until he wanted me to.  And, after I was confident I knew it all, he through something out of left field at me. It all tied up into a neat little package that i enjoyed very much.

I'm waiting for the next M. Night Shyamalan film, but until then I'm adding The Village to my Shyamalan DVD collection.

 

The Village Idiot Savant
aka Everybody Gets Just One
by Michael Flanagan

Wimpy

I have loved every M. Night Shyamalan movie since The Sixth Sense.  That's how all these reviews seem to start--with some need for comparison that is, frankly, just as unnecessary as it is ubiquitous.  To fairly judge a movie, as a movie buff in the basement, is to look at that movie as that movie, and nothing else.  Sure, he made movies before.  Chances are, he'll make more.  But sometimes, you get a bad Dorito, all on its own, and this one is flavored The Village.

The movie is professionally directed in every scene.  The acting is as superb as you would expect from the cast.  The thematic elements that lie underneath--what a culture of governed fear means, what is human nature, what is society's true fault--all of these are very strong and very well represented in the movie.

The problem comes in the way all of these are delivered through a week, imbalanced, unstructured screenplay.  Characters are practically stock.  Those who are allowed to do more don't go anywhere, such as the relationship between William Hurt and Sigourney Weaver.  Cherry Jones is even more wasted.  Joaquin Phoenix and Bryce Howard play off of each other wonderfully, until Phoenix is taken out of the equation and Howard is left to carry the movie on her shoulders.  The problem is, removing a main character unexpectedly is a narrative device that can work when an audience is given room to mourn, and given a story strong enough to replace it.  Yet not only is the audience not allowed to mourn, but the character's MOTHER isn't!  Aside from Howard, no one really has an emotional reaction to this event, which is surprising when you take all twist factors into consideration.

Speaking of twist endings, and I can do this without giving anything away, the ending doesn't work.  Not because of any leap of logic or separation from plot, but because the horrible Exposition used to describe it, along with the fact that everything before the twist was mostly boring and unnecessary (mainly after the Sonic scene).

Poop.

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