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Reviews:
Star Wars 6 is Actually 3 But Not Really
by
Michael Flanagan
HUGE
The
following is a continuation of the The Empire
Strikes Back
review:
Return of the Jedi is my personal favorite of the original Star Wars Trilogy.
Don't stop reading, because it barely lies
ahead of the rest.
Basically, that judgment is based on the
scenario of a Mafia hit-man holding a gun to my head
and demanding a favorite.
And I know most people prefer Empire, but in
actuality, I favor the trilogy as a whole.
Even that statement is flawed, however, as the
complete story is yet to be told.
The end of the complete story, however, is not
only told, it's brilliant.
After George completed Empire he worked on the
possibility of the future for Star Wars.
Up to that point, the plans still included at
least four more sequels,
not to mention the eventual prequels.
But in addressing the story, George saw a
conclusion that could and should be reached in a
little over two hours.
In that time the story of Luke, Leia, Han, and
the rest of the "good-guys" could be told.
And he tells it magically.
Again, some of you may not have seen this
movie. If
you haven't, stop reading now.
I mean it.
Don't ruin the ending.
Still
here?
Then
you better have seen the movie or may the Curse of the
Cat People be on your head!
The opening to the film is worthy of applause,
and in theatres always receives it.
The Jabba the Hut battle, the plank-flip, the
Leia costume (oh, the Leia costume) all make up the
best rescue mission I've ever seen.
After that fiery heroic explosion, many fans of
the Star Wars universe have issued complaints. Many say the movie slows.
The action dies out.
The Ewoks show up.
And they're right.
But all of those points help the series.
The slow-points make the drama of the final
battle that much more powerful.
Any filmmaker knows that the secret to drawing
emotion is to allow the viewer to relax and then
shocking them with the next scene.
It works in horror, it works in comedy, and it
certainly works in Return of the Jedi.
Exposition moments are necessary for the
telling of epic stories.
And in the Star Wars universe, Ewoks are
necessary to win the battle between good and evil.
Skip to the moment in the film where Luke is
hiding in the midst of the final lightsaber duel with
Vader. His
face is half in darkness and half in light.
The symbolism should be obvious.
Then Luke attacks to defend his sister's life.
But the attack is out of anger, out of the dark
side. The
music is almost tragic-opera, a foreboding John
Williams score that causes the viewer, as he/she
cheers while Luke beats Darth Vader back with his
sword, to stop and realize that what is happening is not
good. The
action Luke is finally taking is not what the hero
should do. Regardless
of the situation, the hero should not (you've been
warned) try to take his father's life, especially when
his purpose is saving his father from the exact type
of evil he is embracing.
The magnitude of strength in that scene far
surpasses any scene in any Star Wars movie, as it
should. It
is Luke's final action in the battle between good and
evil.
And why does Jedi not count as it's own
"best thing?"
Because the entire story, combined with the
universe it creates, is what makes it one of the best
things I've ever seen.
And the best part of the best thing is that the
story isn't done being told.
The story of Anakin Skywalker is now
progressing quite strongly through the stages and
slowly making Star Wars not just a trilogy, not just
an epic, but a saga.
And every step taken in telling that early
story makes every other part of the story that much
more powerful.
And
when it is complete, the Star Wars saga may even
outrank Jennifer Henderson.
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