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Resident
Evil: Extinction |
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Year:
2007 |
Runtime:
95 Min. |
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Rated:
R - strong horror violence
throughout and some nudity |
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Starring:
Milla Jovovich, Oded Fehr, Ali Larter, Iain Glen,
Ashanti, Mike Epps |
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Directed
by: Paul W.S. Anderson |
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Written
by: Russell Mulcahy |
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Based
on the video game series by:
Resident Evil |
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Music
by: Tyler Bates, Charlie Clouser |
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Movie
Studio: Resident Evil Productions,
Constantin Film Produktion |
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Review |
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By Edwin Hopkins
Email Mr.
Hopkins
Super
Everyone I talked to who had played the Resident Evil video game
loved the the first movie. They also happened to like the sequel
featuring the nearly indestructible Nemesis. I have yet to garner
their reaction to this third and supposedly final installment in a
series that, despite some detractors, has become the most popular
video game-to-movie franchise of all. |
| Since I’m not a “gamer” I feel I’ve had a slight advantage,
being able to judge these movies as just movies without comparing
them to the many characters, plotlines, etc. of the games
themselves. I know some would say this is more a disadvantage, but
it’s helped me to be more objective. Resident Evil: Extinction
heralds the anticipated return of Milla Jovovich as the genetically
enhanced Alice, a product of the megalomaniacal Umbrella
corporation. Her fighting prowess as you may expect, is still
intact with a one minor addition many will find interesting. She
maintains Alice’s coolness, dispensing zombies in a world now
completely ravaged by the T-Virus.
Umbrella couldn’t stop the outbreak. And with blood thirsty
infecteds roaming around, dried up lakes and rivers, receding oceans
and practically no plant life, they did the only logical thing.
Escape underground to plot how they can
turn these unfortunate events to their benefit. |
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| We’re cleverly teased in the beginning with what
seems to be a flashback from the original movie that turns out to be
quite a shocker ;just before we see Alice in grungy desert duds
streaking down the highway toward Salt Lake City on a motorcycle.
Gas is scarce and zombies are plentiful and you may squirm a bit at
how she takes out one savage. Eventually she runs into some
familiar faces to include some new ones whom we don’t get to know
very well. Rather disappointing since one of the cherries is Ashanti
who plays Betty. The rest of the band consists of Chase on sharp
shooting, Mikey on HamRadio, Otto on auto mechanics, cutie pie
K-Mart ( I would’ve preferred Target since I work there) and lady
impresario Claire Redfield (Ali Larter). Apocalypse alums Carlos and
LJ (Oded Fehr and Mike Epps) round out the group that’s about as rag
tag as the vehicles their driving cross country.
While Evil may give gamers a sense of being a little disjointed,
it ultimately settles on Alice’s shoulder’s as she tries thwarting
the efforts of those who created her. Umbrella, naturally, doesn’t
take this lying down with another surprise that directly effects our
heroine. She gets help from none other than the White Queen (my own
name for her since she’s dressed in white), the equally intelligent,
more human like holographic sister of the Red Queen from Evil one.
And despite Alice’s distaste toward her homicidal sibling, she does
manage to give Alice some assistance, speaking in that same
exquisite British accent.
Paul Anderson’s solid writing coupled with two other competent
directors, Alex Witt (Apocalypse) and former music video director
Russell Mulcahy (Extinction) has thankfully kept this franchise
relatively consistent with sequels better or just as good as the
original. Something Rush Hour 3 failed to do. He also leaves an
appropriate opening for a possible fourth chapter that will probably
have fans like myself wanting more.
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