Rated:
PG-13 - intense sequences of
violence and action, and some sexual content
Starring:
Daniel Craig, Olga Kurylenko, Mathieu Amalric, Judi
Dench, Giancarlo Giannini, Gemma Arterton, Jeffrey Wright, David
Harbour, Jesper Christensen, Anatole Taubman, Rory Kinnear, Tim
Pigott-Smith, Joaquín Cosio, Fernando Guillén Cuervo, Jesús Ochoa,
Lucrezia Lante della Rovere, Glenn Foster, Paul Ritter, `and
Guillermo del Toro and Alfonso Cuarón as Additional Voices
Directed
by: Marc Forster
Written
by: Paul Haggis, Neal Purvis, Robert
Wade
Based
on the Story by:
Ian Flemming
Cinematography by:
Roberto Schaefer
Edited by:
Matt Chesse, Richard Pearson
Music
by: David Arnold
Movie
Studio: Metro-Goldwyn-Mayer (MGM),
Columbia Pictures, Danjaq, Eon Productions, United Artists
With all the hype being touted over James Bond’s roguish,
vindictive attitude in Quantum of Solace, I’m sure all 007 fans will
remember that this is not his only vendetta of vengeance. A certain
Franz Sanchez (Robert Davi) sort of heated Bond’s furnace when he
killed Della, the wife of his best friend Felix Leiter in 1989’s
License to Kill. It’s one of my favorites and, in my opinion one of
the best in the franchise. And since the franchise has been
rebooted, Quantum could technically, be the “first” time Bond has
made a mission personal.
Bond’s 22nd spy thriller, the first ever sequel in the series,
instantly kicks into high gear a mere 20 minutes or so after Casino
Royale. Bond has just captured the elusive Mr. White at his north
Italian villa and is frantically trying to stay ahead of his trigger
happy henchmen, racing through the mountains with guns blazing.
Their Alfa Romeo seems quite a match for 007’s Aston Martin. Despite
a few heart stopping mishaps on the way, Bond manages to escape his
pursuers and takes White to a safe house in Siena where he’s
interrogated about the organization he works for- and the death of
Bond’s precious love, Vesper Lynd (Eva Greene).
You can’t help but to feel a slight twinge of anxiety when White
boasts “We have people everywhere.” Even when Bond’s arch nemesis
Blofeld threatened the world with nuclear blackmail, laser
satellites and world war 3, he didn’t seem that menacing.
Nonetheless, Bond and M, played again with elegant finesse by Dame
Judi Dench, find out the hard way that their
prisoner is absolutely right. Upon tracking down a few leads, Bond
discovers the mastermind behind it all; a Mr. Dominic Greene
(Mathieu Almaric) who, according to MI-6’s high tech visual computer
system, is a man of extreme interests.
Romans 12:19 says “Vengeance is mine: I will repay,”
saith the Lord. Religious people, Christians, non-Christians et al
know this familiar verse, blatantly disregarding it because of our
dark side. Bond is no different. He tells M that he’s motivated by
his duty by taking Greene into custody and wiping out this new
shadow society. Yet the hardness of his face and his cold blue eyes
indicate otherwise. He wastes no time getting on with it. Not even
taking a moment to utter that famous line “Bond, James Bond”
anywhere throughout the movie.
Along this path of retribution, he meets the sultry, spirited
Camille (bit of a relief from the usual Bond girl names like Pussy,
Tiffany or Christmas Jones) rendered by equally sultry Eurasian
actress Olga Kurylenko. She has her own agenda for getting next to
Greene. Of course it’s remarkably similar to Bond’s, so naturally
they already have something in common.
Nonetheless, the writers could not resist teasing die-hard bond
fans by including at least one atypical woman’s name. Twenty-two
year old Gemma Atherton (Rock N’ Rolla) encases agent Fields, first
name Strawberry. How appropriate is that eh? And I would say that
she is probably one of 007’s easier conquests. Problem is, you never
hear her actually say the first name, just the last. Plus, she
really doesn’t seem to have that much of a major role. She’s more of
an afterthought that’s thrown in as a brief thrill for Bond.
Director Marc Forster (Finding Neverland, The Kite Runner)
initially turned down the offer to helm this latest installment of
the nearly 50 year old Bond phenomenon. Meeting Daniel Craig finally
changed his mind. Any Bond movie director must be good at steering
action sequences. And, although the rapid fire cuts and edits may
make some woozy, Forster faithfully maintains and enhances the
legacy of exploits that have made Bond the longest lasting big
screen spy in the world.
Quantum is the shortest running of the series, clocking in at 106
minutes. Odd of course since the average time from Dr. No to Casino
Royale is at least two hours. When I watched it, it felt like two
hours regardless of the average and will serve as an excellent
addition to a franchise that is swiftly reaching half-a-century.
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