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Ong Bak: The Thai Warrior

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Year:  2003 Rated: R Runtime: Insert
Starring:  Tony Jaa, Phanom Yeerum, Petchtai Wongkamlao, Pumwaree Yodkamol, Suchao Pongwilai, Wannakit Sirioput, Chatthapong Pantanaunkul
Directed by:  Prachya Pinkaew
Written by:  Prachya Pinkaew, Panna Rittikrai
Movie Studio:  Magnolia Pictures

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HugeReviews.com Rating: Solid Review by: Christian De Matteo

Give me my Ong Bak!

And so in my inane, silly, psuedo-clever movie reviewer title sums up the ENTIRE plot of this movie.  The head of a sacred Buddha statue is stolen from Ting's (Tony Jaa) village and he, trained in the arts of Muay Thai, the deadly monk Thai martial art is sent to reclaim.  Okay, now you can watch it without the subtitles.

This not OldBoy, blowing away your plot expectations and shocking you.  That's not what this is about.  This is the most classic, and in many ways the most cliché, action movie, hero story plot we've got.  Our hero is pure good.  Uncorruptable, untemptable, so good no one even bothers to tempt him.  In the first Bangkok scene we see a low-level gangster wearing an Al Pacino Scarface t-shirt.  That represents all that is evil and bad; lust for the money, the power, and the women.  None of these tempt our hero... literally, not for a second.  Our hero's "partner" is "George" a name he's given himself since he left Ting's village for the high life of Bangkok, which he just can't seem to get a piece of, no matter how hard he tries.  He's a schemer, and conniver and a cheat.  He's the anti-Ting.  He won't help Ting because he's lost all reverence for religion and the "old ways".  Ting cannot understand this, and soon decides not to trust him.  But he can't abandon him because he is still a cousin from the village of Pradu, and he must protect him.  George is also his in to the world where the Ong Bak, the Buddha head has been taken.  Ting is willing to risk his life for the Ong Bak and for good, and the protection of innocents.

The plot goes from here in the most un-surprising way you can imagine, the character you're expecting to make a turn back to the good side, doing just that and the hero fighting all odds to accomplish his goal and defend his village and his God.

And that's why the movie gets a Solid and not higher.

Not too enthused?  That's fine, if all of the above is against everything you go to the movies to see, than it would be just like renting an 80s action movie or a Jimmy Stewart western.  There's only black and white, no gray, plenty of absolutes for all you Sith our there.

HOWEVER, if you are looking for some UNBELIEVABLE, COMPLETELY REAL, NO COMPUTER ENHANCEMENT, ZERO WIRE, MIND-BLOWINGLY COOL action sequences... here you go.

DAMN.  Again, remember, no WIRES.  The action is brutal and completely honestly choreographed.  Jaa is a master and rules the screen when he's fighting.  He plays his character decently and moves the plot along, but what you're waiting for is when he fights, and don't worry, you won't wait long.  The movie is cool.  End of story.  Pure martial arts brilliance, pure adreneline violence and pit fights that will leave your jaw open.  Oddly low on blood, the action relies on the truly miraculous and frankly painful stunts, that will wow you until you are incapable of wowing any more... and then you will wow some more.  Build on a strong framework of starting with the little wows and working its way up the later to HUGE wows, the film makes you keep thinking they can't possibly top the last stunt.  And then, of course, they do.  In the climax battle, Ting blocks a SAW attack with his forarms, creating what is the most painful blade violence I've seen in some time.  When the saw is pulled, for another attack, out of his forearm, there's actually a plop and a pop.  Yes, I know they didn't actually maim Tony, but damn does it look and sound real.

The movie is an action movie buffs orgasm.  That's really all that can be said.  And while even some of the action moves are predictable (I called the flaming leg attack before it happened) it doesn't at all take away from the beauty of seeing it.  The beauty of this for American audiences is that Thai fighting is very different from Chinese and Japanese martial arts, boasting a hail of knees and elbows, the fighting still graceful but very focused on bludgeoning.  An elbow to the top of the head in the climax almost gave me a headache.

I've been waiting to see this film for awhile, and I wasn't disappointed in the action one bit.  I will admit I was a bit disappointed in the somewhat pedestrian plot, but for that I should blame myself.  This is an action smorgasbord, and it pretends to be nothing but that.  Tony Jaa could be our next Jet Li, the clock quickly ticking on his first American movie with a rapper, or maybe, just maybe, Hollywood will team the two up in a GOOD film with a REAL plot and we'll be treated to some brainnumbing moves AND a killer plot.  Oh, if only Kurosawa were still alive, he'd know what to do with such talent.

Highly recommended for a viewing of awe.  This is a truly a kick-ass ride.

Ong Bak. For Real!
by Joe De Matteo 

Super  

            There was a time when you went to the movies and watched Good vs. Evil.  There were the lost people, and the ones who lacked understanding or direction and were living incongruous lives, yes, but there was no gray between Good and Evil.

            Some time in ‘the sixties’ Hollywood started giving us a diet of immoral people as heroes.  Like Alfie and The Good, The Bad and The Ugly, both in 1966.

You know, my Uncle Nick used to say something to the effect of, when you hear someone say ‘the end justifies the means,’ you should understand that he is saying, ‘I’m a self-centered person with out a moral compass; I can’t be trusted.’  These are people who make up their morality to fit the outcome they want.  They are not Good people.

With Star Wars George Lucus got us back to this eternal battle, that wages each day in every place that humans are.  I’m told that many Asian films have this wonderful quality.  Good vs. Evil with humanity crawling around in the middle.

Ong Bak, in the classic sense, is an epic.  The Hero, Ting, is Good.  His opponents are Evil.  Ting, a student of a school of martial arts called Muay Thai, is under strict orders by his master and teacher not to fight.  But a quest falls to Ting when the head of Ong Bak, the village god, is stolen by a gang from Bangkok.  Among its other venture the gang ‘acquires’ antique religious articles for the black market.  Another venture of the gang is gambling on pit fighting.  And it is here, in the pit-fighting den, that Ting finds himself in the struggle to retrieve Ong Bak.

The DVD allowed me to view the movie English dubbed, in Thai with English subs and just in Thai, it was a wonderful experience each time. 

The other great experience of this film is to watch it with the understanding that there is NO CGI, none!  No stunt doubles, and that the actors are NOT on wires and cranes.  Everything you see is live action.  Tony Jaa is a master,  I've never seen anyone jump over something by raising his legs parallel to the ground, out in front of himself.  It is amazing to watch.

I own the DVD, you should too.

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