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By Edwin Hopkins
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Hopkins
Solid Super
HUGE
As a big fan of both the movies and the books (I recently
finished the seventh, Harry Potter and the Deathly Hallows), I can
understand the difficulty of condensing an 870 page tome into a 2
hour film. Warner Bros. had even considered splitting the previous
book, Harry Potter and The Goblet of Fire, into 2 separate films
because of it’s length. And it was over 130 pages less than Phoenix. |
In this fifth adventure, author Jo Rowling further emphasizes
similarities between muggles (non-magic people) and the witches and
wizards who, supposedly live among us rather than their differences;
one of the key aspects that has made Harry and company a joy toboth
read and watch on the big screen.
Deniability takes center stage with Harry’s wizarding world in a
state of unbelief concerning his encounter with Voldemort after the
Triwizard tournament. He is nearly expelled from Hogwarts for
defending himself and his overweight cousin Dudley from two of those
ghoulish dementors sent by He-who-must-not -named himself;
surmounting evidence that the Dark Lord has returned. In his defense
of Harry, Dumbledore tries to convince the counsel of this. But it
seems to fall on deaf ears.
Complicating matters is the arrival of Hogwarts’ new
Defense-Against-the-Dark-Arts teacher, Dolores Umbridge played with
charmingly evil finesse by Imelda Staunton. She also happens to be
the Undersecretary to Minister of Magic Cornelius Fudge (H’mm
something smells here). Taking full advantage in her attempts to
“straighten up” Hogwarts, she imposes gruesome punishments along
with new and stricter student rules getting cantankerous caretaker
Argus Filch to post them on a giant wall inside the school. |
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| It isn’t long before the students realize that
Umbridge’s instruction won’t prepare them to defend themselves
against anything. When Hermione suggests that Harry should take the
reigns and teach them, Dumbledore’s Army is formed composed of 20
Gryffindor students. Don’t you just love a good rebellion?
Especially when there’s no choice. One of my favorite highlights,
Harry’s first kiss, was given special attention. Amongst all the
adverse excitement in Phoenix, the film could not have been made
without this poignant scene between Harry and Ravenclaw’s Cho Chang.
It takes place after the rest of Harry’s “students” call it a night
and have left the secret chamber. The conversation he has with
friends Ron and Hermione afterwards is one of the funniest scenes
dialogue wise.
While Cho may be Harry’s main squeeze, his relationship with
enigmatic new comer Luna Lovegood seems more personal. Portrayed by
16 year old Irish lass Evanna Lynch, she’s definitely not your
ordinary witch-in-training personality wise and you imimmediately
see how easily she could be an outcast amongst her fellow students;
like Harry is Voldemort wise.
I’m sure fans of the novel, like yours truly, were disappointed
that some scenes were excluded. Indeed, Phoenix is the shortest
running Potter thus far at 138 minutes. Scribe Michael Goldenburg’s
task of adapting the huge tome was not easy. He includes all the
essential characters and elements of the story, creating a solid
abridgement director Yates can work from. He keeps to the main focus
without being choppy.
Returning to support and mentor our boy wizard are Lupin, Mad Eye
Moody and Sirius Black, Harry’s godfather. Also returning to torment
and oppose are Lucius Malfoy, the dementors et al. All bets are off
in a stunning battle of magical spells, curses and charms between
the two factions that matches the light saber melees in Star Wars.
Adults as well as kids have been growing with these books and
films since Harry Potter and The Sorcerer’s Stone hit bookstores a
decade ago. It’s good to see that Harry Ron, Hermione and their
friends- and enemies- seem to be growing in both mediums. I’ve read
the seventh and supposedly last book in the series, Harry Potter and
The Deathly Hallows. Phoenix, however, assures us that there’s a lot
more to come.
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