From the time he was ultimately chosen as director of the first
Narnia adaptation , there had always been a question whether Andrew
Adamson could segue from the wonderfully animated Shrek features to
live action. He had no problem proving he could. Under his vision
for the C.S. Lewis classic, The Chronicles of Narnia- The Lion, the
Witch and the Wardrobe went on to earn over $740 million worldwide.
It was only natural that Disney and Walden Media would ask him
to helm the second installment, although he was a bit reluctant due
to the challenges of the first. Praise the Lord Adamson
overcame any inhibitions. Taking some liberties with the original
story, he has weaved The Chronicles of Narnia Prince Caspian into a
more interesting, action packed film than LWW.
In lieu of telling
the story in flashbacks like the book, we are introduced to the
prince through a painful childbirth. It's been over a millennium in
Narnia time and Caspian's aunt, Queen Prunaprismia, has just given
birth to a boy for her husband King Miraz, an evil, despot monarch
who now rules the land along with the upper class Talmarines. The
prince is still the rightful heir to the throne, but now that his
uncle has a son to succeed him, he brazenly attempts to kill his
nephew. Caspian escapes with help from his learned tutor, Doctor
Cornelius.
Meanwhile back in the "real" world, the Pevensie
siblings are trying unsuccessfully to readjust to a normal life in
London as kids after royal adulthood in Narnia. It's been only one
year for them and Peter is more of a hothead while Susan detaches
herself from her peers preferring to be alone. Edmund and Lucy seem
to be complacent, but not totally overjoyed at the prospect of
"growing up" again.
Naturally at the peak of their chagrin, they
are suddenly whisked back to Narnia courtesy of Prince Caspian when
he blows the horn with a lion's head. It was given to him by
Cornelius, telling him to use it when he has the greatest need.
Quite justified since Caspian, while escaping, finds himself
captured by a dwarf named Nikabrik ( Warwick Davis) and a badger
called Trufflehunter.
When Caspian and the Pevensies finally meet, neither is what the
other expected. However, both parties' fighting skills are still
intact. Especially the siblings whose prowess with swords and bows
has not diminished since their last visit. It's a much more violent
ride this time as they will use all their abilities to help Caspian
regain his inheritance.
It had been awhile since I listened to the Prince Caspian audio book
( I've listened to all seven tomes). There are some differences of
course between the book and the film. And while the book is arguably
better, I believe Andrew Adamson's linear version strengthens rather
than weakens the finished product.
There's the apparent conflict between Caspian and Peter as to who
should be in charge of things, the subtle romance involving the
prince and Susan and a close friendship bond for Susan and Trumpkin
(Peter Dinklage) you can't help but to smile and chuckle over.
Fortunately Adamson and co-writers Markus and McFeely oversees these
edgy situations carefully, yet keeping the film on course.
All who enjoyed The Lion, the Witch and the Wardrobe should embrace
Prince Caspian despite the obvious changes. The battle scenes are
more epic, the special fx more dazzling and emotions run
considerably higher, resonating toward a desire to see the next
adventure these kids will have.
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