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About a Boy

Rated:  PG-13 2002 Color 112 mins
Starring: Hugh Grant, Toni Collette, Rachel Weisz, Nicholas Hoult, Sharon Small, Madison Cook
Directed by: Paul Weitz, Chris Weitz
Written byPeter Hedges, Chris Weitz, Paul Weitz
Based on the novel byNick Hornby
Movie Co.: Universal

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About being Male: About a Boy
by Christian De Matteo

Super

Hugh Grant’s latest film, which I had been looking forward to, had a lot going against it.  That “a lot” is Star Wars Episode 2.  I had seen it the night before and was so incredibly amped still that the idea of seeing one of those “human” type stories had become a tad bit abhorrent.  Standing in line, Mike and I discussed how if they were already filled up for the premiere, we would just go see Star Wars again.  And again.  And that sounded fine.

But then the film began, and even though Hugh Grant at no point whipped out a lightsaber and started kicking Sith ass, I was swept up.  Based on the novel by Nick Hornby (who also wrote the book “High Fidelity”) and directed very well by the brothers who directed the first American Pie installment, the film captures the essence of maleness like High Fidelity did, but this time under different circumstances.  Using internal monologue for both main characters, Hugh Grant’s Will and Nicholas Hoult’s Marcus, we get some very funny moments and also a great opportunity to understand where these two are comparatively in the world.  When the two end up meeting, we are well aware that this is a truly odd couple.  Both do an excellent job with some very fresh comedy, often extremely witty, as well as getting across a good amount of poignancy.

Another pleasure I’ve discovered in recent films, is that known as Toni Collette.  Since The Sixth Sense, I’m always excited to watch her act and am disappointed with films like Changing Lanes when she just isn’t given enough to do.  About a Boy gives her an excellent opportunity, one that she grabs and goes beyond, to really sink her teeth into a fairly complex role of adoring mother/suicidal manic-depressive.  How does one continue to show her love for a child after trying to kill herself?  Toni Collette pulls it off completely, and does some of the best crying I’ve seen in years.

With a great screenplay by Peter Hodges, a desire to make a fun, witty movie that isn’t silly, and has some real human import, the film wins completely, and will win you as well.

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